Tutor Phil Dawson is a guitarist, composer, band leader and recording artist who is also a qualified teacher. He releases music on Funkiwala/Kudos Records as well as independently. He learned his craft playing with iconic artists performing on 5 continents, having studied with composer/guitarists Martin Glover ARCM and Oliver Hunt (LCM) plus Alan Weekes (Jazz Jamaica, Joss Stone etc), Mike Walker (Impossible Gentlemen, George Russell) and others. Phil has taught at all levels of music education up to BA, and is co-author of ‘How to Use Popular Chords’, ‘Guitar Strumming Patterns’ (both Flametree) and author of ‘Chordal Harmony for Electronic Music’ (e-course, Sonic Academy.)

I used to look forward to your lessons the most for multiple reasons, we would cover the necessary syllabus but look at it deeper than other lecturers would care to, we would throw around ideas about styles and techniques that would be exciting, interesting and most importantly educational.

Some lecturers stick to teaching their lectures like passing passage from a book, they feel stale, like they don’t have any real interest in what they are teaching and, furthermore, aren’t fussed whether you are actually engaged or learning anything. This is the exact opposite of how it felt to learn from you. I believe there’s so much more to learning that just covering the material and going home at the end of the day, it’s so important to inspire students, talk about their direction, introduce them to music and concepts that challenge their perspective and understand of a topic. This is what helps people grow as musicians and people, something that many students are desperately looking for on their journey to musical self discovery.

Without your influence and direction I would have never dived into the depths of jazz and theory as much as i did; I would have never discovered the world of jazz fusions, african and eastern timbres, structure and harmonies and, fundamentally, would have been a less developed musician.

Finally, I know i can still contact you now, even as a graduate, if i was in need of help or direction with music. This matters to me, it’s more than having a teacher you forget about as you move onto your next chapter..”

DB

I was fortunate to spend 3 years studying with Phil Dawson. Phil’s approach and methods in teaching inspired me and guided me in what areas to explore while studying my instrument. The techniques I learned for transcribing, listening and being contextually sympathetic as a musician from Phil are key aspects that have opened up professional opportunities for me as a touring musician. In addition, Phil’s deep understanding of jazz vocabulary, theory and harmony, and ability to explain concepts in a clear and tailored way are things I valued highly”

JH